the course of empire series, of which we have 2 in our collection, is a collection of 5 artworks by thomas cole, painted between 1833–1836. the series is a reflection of american feelings at the time of painting, when many were opposed to the idea of the "empire" and believed that pastoralism was the best phase of civi
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thomas cole’s “the course of empire” is so well known that there would seem to be little cause to comment on it except that it is easily misread, as when it is treated by the art historian ross barrett as a reaction to the jacksonian democracy of the period, when there is nothing in the series of fi
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the course of empire: destruction is an allegorical oil painting created in 1836 by american painter thomas cole, part of his five-painting series the course of empire.
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mark ruwedel (born 1954) has photographed the american west for the past twenty-five years, revealing the narratives—both geological and human—contained within the landscape. this stunning
department of history, the school of arts and sciences, rutgers, the state university of new jersey
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curator wendy nālani e. ikemoto introduces one of the signature pieces in our collection—artist thomas cole's magnum opus five-painting series.
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this essay delves into the themes of and motivations for thomas cole’s series of paintings, the course of empire. through an analysis of the different rhetorical appeals and fallacies employed by cole in the series of paintings, the deeper meaning behind the works comes to light. this analysis serves as a bridge between the environment the paintings were created in almost two hundred years ago, and the contemporary global landscape, which is still in need of its lessons, even so many years later.
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the course of empire is a cycle of five paintings by 18th century american painter thomas cole, founder of the hudson river school. the cycle depicts the same landscape at different historical points of development of a fictional empire.
course of empire: paintings by ed ruscha was presented by the whitney in association with the harvard university art museums. the exhibition was curated by donna desalvo and linda norden.
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the course of empire: destruction, 1836 by thomas cole - buy the course of empire: destruction, 1836 paper art print - the new york historical - custom prints and framing
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mr. stefansson shows, with characteristic force of expression and wealth of example, that every effort to colonise the frontiers of the familiar world has been retarded by fear bred of ignorance. he regards the popular repute of the arctic regions as a survival of the ancient shrinking of the mediterranean peoples from cold and darkness, intensified by tales of the sufferings of explorers, which he holds to have been partly unnecessary and partly exaggerated. on the other hand, he shows that throughout the whole history of civilisation the centres of political power of the most advanced races have undergone a steady displacement northward from the neighbourhood of the tropic. he holds that this migration of the dominant races is accompanied by an increase in physical and mental vigour, and he would perhaps be inclined to agree with richard chenevix's bold generalisation of ninety years ago, that character is expressible as a mathematical function of latitude. the northward course of empire. by vilhjalmar stefansson. pp. xx + 274 + 8 plates. (london and sydney: g. g. harrap and co. ltd., 1922.) 7s. 6d. net.
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